News
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Book on British Occupation of Germany to Head of Zeus
21 May 2020
Head of Zeus have bought UK & Commonwealth rights in Daniel Cowling’s Don’t Let’s Be Beastly to the Germans: : The British Occupation of Germany, 1945-49
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Kendrick: the MI6 Spy who Saved Austria’s Jews to Yale
21 May 2020
Her regular publisher Yale University Press have bought World English rights in Helen Fry’s Kendrick: the MI6 Spy who Saved Austria’s Jews
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Second week in bestseller list for The Brideship Wife
21 May 2020
Leslie Howard’s The Brideship Wife is #7 on the Toronto Star’s Canadian Fiction bestseller list this week.
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Meghan and Harry : The Real Story sold to US
21 May 2020
Pegasus have bought US rights in Lady Colin Campbell’s Meghan and Harry : The Real Story and will publish in July.
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Recent Foreign Rights sales
21 May 2020
Chinese and Russian rights in Catharine Arnold’s Pandemic 1918
Hungarian and Danish rights have been sold in Lady Colin Campbell’s Meghan and Harry : The Real Story.
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When We Fall Book of the Month
21 May 2020
Congratulations to Carolyn Kirby whose When We Fall is the historical fiction book of the month in The Times .
The review concludes ‘Carolyn Kirby has written a gripping wartime thriller, driven by two memorable heroines.’
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The Brideship Wife is no 5
18 May 2020
Congratulations to Leslie Howard whose The Brideship Wife hit the #5 spot on the Toronto Star Canadian fiction list this week.
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Recent Foreign Rights sales
29 Apr 2020
Chinese rights in John Hatcher’s The Black Death: An Intimate History
Chinese rights in David Lough’s book on Winston Churchill’s correspondence with his mother Darling Winston, Dearest Mamma
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Agent Goleniewski: The Best Spy the West Ever Lost to St Martin's
06 Apr 2020
North American rights in Tim Tate’s Agent Goleniewski: The Best Spy the West Ever Lost have been bought by St Martin’s Press.
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Recent Foreign Rights sales
06 Apr 2020
Korean rights in Catharine Arnold’s Pandemic 1918
Lithuanian rights in Roger Crowley’s City of Fortune: How Venice won and lost a naval empire
Finnish rights for Jeremy Dronfield’s The Boy Who Followed His Father into Auschwitz.
