Biographical writing about Eliot is in a more confused and contested state than is the case with any other major twentieth-century writer. There has been no biography of Eliot since the impact of his early poems (Inventions of the March Hare) in 1996, in spite of the fact that the book radically alters how we might think of him. There have been attempts to turn the American woman Emily Hale into the beloved woman of Eliot’s middle years; and Eliot has also been blamed for the instability of his first wife and declared a closet homosexual. This book frees itself from such distortions, as well as from the old biographical model of Eliot as cold and unemotional. It offers a sympathetic study of his first marriage which does not attempt to blame, but to understand; it shows how Eliot’s poetry can be read for its revelations about his inner world. He once wrote that every poem was an epitaph, meaning that it was the inscription on the tombstone of the experience which it commemorated. His poetry shows, however, that the deepest experiences of his life would not lie down and die, and that he felt condemned to write about them.
John Worthen was born in London in 1943 and – as an academic in Charlottesville, Swansea and Nottingham – specialised for many years in writing about the life and editing the work of D. H. Lawrence; he ended up as Professor of D. H. Lawrence Studies at the University of Nottingham. His first book was D. H. Lawrence and the Idea of the Novel (Macmillan, 1979); he published D. H. Lawrence: A Literary Life with Macmillan in 1989, D. H. Lawrence with Edward Arnold in 1991 and his major study D. H. Lawrence: The Early Years 1885-1912 appeared from Cambridge University Press in 1991. ...
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